In Depth Post #7: The Creation of the Planets

So, on Monday night, I created Mercury, Venus, Earth and Mars. I think in the Bible, it took 6 days or so to create the Earth, but I made 4 planets, and it only took me about an hour.Of course, my planets are about the size of large buttons.

In this post, I’ll be talking about how emotions and diversions affect my conversations and progress with my mentor.

jpegEspecially in art, the following statement is particularly true: “When making choices between options that are basically identical we use our feelings to figure out which feels the best.” One example of this is when I was making decisions about how to place the buttons on my “Earth”. I had chosen two buttons; there was one for each side of the planet, as it was a 2D kind of object. I had chosen the colour blue because Earth is mostly covered by water. I think this is a pretty rational decision I made. However, I then had to decide which side of the button, (front or back) would face outwards. I ended up deciding to keep the front faces of the button facing outwards. This decision wasn’t really based on fact, as the buttons both had mostly flat back faces and were unpatterned on that side. However, I decided that I liked the patterns on the outside of the buttons (one was wood, and had lines from the wood it was cut from, and the other was plastic and had ripples) and kept them facing outwards because I thought it looked prettier, more natural and a bit irregular. So that decision was mostly based off of how the arrangement of the buttons made me feel.

Venus
Mercury
Mars
Earth
Earth

 

 

 

 

 

The criteria I use for stating feelings in the beginning of a conversation differs from situation to situation. However, it usually occurs when I already have a strong feeling or idea of how I want the art to turn out. I’m more inclined to state that I really like something rather than I don’t like something, so if I like something the first time around, I’ll state my feelings about it sooner. If I don’t like how something looks, I usually keep it around for a bit and explore other options before stating my feelings, just to give it a chance. For example, when I started creating my learning center display, I told my mentor that I would have a table at about waist height. Since my two main art pieces are hanging, I told my mentor I was struggling with finding a way to display them. I suggested that I had been thinking of hanging them off of a tri-fold display, but I wasn’t entirely sure how to do that. My mentor liked the idea of the tri-fold, because it was easy to transport and added enough height that my pieces wouldn’t be squished on the same level. After a trial and error process, we used bamboo sticks to stabilize the tri-fold and make beams to hang my art off of. In that case, I didn’t have strong feelings/ideas about the tri-fold before we started, so I stated my feelings about it later, after we had discussed the more objective pros and cons of our options. On the other hand, I had a pretty good idea of how I wanted the tri-fold to be coloured, so I stated my feelings right up front. I wanted it to fade from black in one corner to blue in the other, in radial gradient. This way, it related to both space junk and jellyfish habitat, with black for space and the deep ocean, and blue for the atmosphere of Earth and shallower ocean. I also tend to state my feelings up front when I have less time, and I certainly had less time for the painting. My mentor and I only got to the point of mixing our paint (using leftover paints from my mentor, of course) by the time I had to leave. We’re using a lot of multi-coloured scrap paint, which makes a gray base, and adding a dark, green-blue and a lighter purple-blue to get a blue/black colour. We also added silver paint to give it a bit of a shine.

I took a diversion in a conversation yesterday that is almost perfectly described in De Bono’s How to Have a Beautiful Mind. When finished with Mars, I took a moment to survey what I had left to do. Although we were still thinking about a different topic (we had been searching for materials, and came up with some stuff we didn’t think of using but looked really cool), I piped up with a provocative question: What can I do to make this wooden circle look weathered, harsh or old?

I was asking to learn about a skill or method, and also describing with both objective and subjective adjectives what message I wanted to convey. Old is a pretty objective adjective, because you can measure how old an object is. Weathered is a bit of both, because we perceive an item as weathered or new, not always depending on something we can measure, like its age. I would say harsh is a subjective adjective, because a situation that may seem harsh to one person may seem normal or pleasant to another. I think the diversion worked really well, because when I asked directly about what I could do to get to my end point, we were able to come up with some options and really quickly decide what we wanted to do. I used pumice gel to form a bumpy, rough surface on the planet, and let it dry with the Mars planet. This led to a conversation about weathered items, and in recycled art, how much you want to show of the original materials. Normally, artists try to hide the origins of their materials as much as possible, so that they can better control the message they convey with their art. However, with recycled art, the point of my project is to make people aware of the origins of my materials, and how junk items become meaningful. Thus, I show a lot more of the origins of my materials – for example, the button holes on Mars’s ice cap could have been covered, but I decided to leave them to let everyone see that yes, they are buttons. So, this diversion made my conversation a lot richer, and introduced me to new things that I otherwise wouldn’t have thought about.

Space Junk…coming soon!

I’m starting to think about writing my Artist’s statement, so keep an an eye out on my blog. I’ll post a draft and a good copy when I’m done.

New areas to explore – In Depth week 10

So, for most of Spring Break I was in Cuba, with the school music department. The cool thing about Cuba is that, because of the US embargo, they are forced to re-use or maintain a lot of their old technology and materials; for example, the Cuban cars. In Cuba, each family has one car that may have been passed down for generations. The car bodies are from the mid 1900s, but they have newer motors and car parts inside. Going to Cuba let me experience a lot more recycled art, which has led me to find some international concepts about recycled art.

  1.  Conservation
    1.  The item is made with something used or destined for the trash. The item can be used for the same purpose as before, or a new purpose. For example, the car bodies were still cars, but I also saw hats made out of old pop cans. The concept is to give the object/material a second life.
  2.  Art/aesthetic
    1. The driving idea being recycled art: trash for one person can be beauty to another. Finding aesthetic value in trash requires imagination and a willingness to try new things.
  3. Awareness
    1. Recycled art is often used to raise awareness for the “throw-away” mindset we have in more fortunate countries, or the damage caused by the objects we throw away.
  4.  Value
    1. Recycled art is meant to be of equal or greater value than it originally was, whether as an art piece or something practical, like a bag or candlestick.
  5. The technical skill concept
    1. There is a lot of technical skill required for this! Multi-media art requires a lot of broad knowledge about materials and their properties, and delicacy in putting them together.
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My desk + some materials for my jellyfish!

Some more specific things I learned was that recycled art is mostly about technical things, such as shaping and holding objects. It is very important to find objects with the right physical properties – or, create your project around your materials if you don’t have time to search for the perfect material. Wire is very useful, because it holds it shape and can be bent into whatever you need. Flimsy plastics, like plastic wrap and plastic bags, are also useful because they are easy to drape over things and are usually transparent or translucent. An alternative I explored with my mentor was crushing and balling up soft plastics to use the fluffy, layered look they have. Though I didn’t have many other options, I think my mentor has been a really good fit for me. Her background in painting, multi-media art, and practically anything art-related makes it a really good relationship between her and I, because she has a ton of knowledge and experience about a wide range of things – from how to cut plastic to building up paper-mache. Another mentor may have been able to help me go more in-depth in a specific area, like working with paper or metal, but I think that the rag-tag assortment of materials I have fits best with my current mentor.

Other than coming up with alternatives and suggesting them, I ask my mentor for alternatives.For example, when attaching my ribbons to my jellyfish, I discussed many different alternatives with my mentor. I brought up the issue of keeping the tentacles to the outside of the jellyfish, and together, we generated these options:

  1. Placing a balled-up plastic bag in the center of the jelly (similar to crinoline on a skirt)
  2. Attaching tentacles from the top of the jelly to the outer edges (like a tent)
  3. Placing a small plastic cone inside the jelly (wouldn’t be as messy as the bag, but less puffy)
  4. Using a little glue on the inside of the jelly to hold the tentacles in place
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Hole-punches for tentacles.
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Tentacles (made w/ wrapping paper)

The great thing about generating so many alternatives is that you can pick the best parts of each option and incorporate them. For instance, I’m attaching the tentacles to the outer edges to make it more decorative, but I’m putting a little cone (top of a water bottle) inside the jelly to hold the tentacles to the sides of the jelly. This leaves the inside of the jelly still relatively uncluttered, so it won’t get tangled in transport. It also makes it easier to arrange the tentacles, because they don’t have to be glued down.

DSCF2851Now that we’re about halfway through the project, I need to look at my progress. Looking back, I realize that finding a mentor so late into my project has slowed me down a bit. DSCF2856To make up for it, I’m dedicating an hour on Wednesdays to working on In-Depth each week. I’m 3/4 done my jellyfish, and a little over halfway done my space junk mobile. I had two other projects I wanted to do before May. One was in accordance with my Environmental issue project, and represented BC’s power system – A sculpture using plugs and a light bulb attached to a fish. DSCF2858Often, people don’t realize that although hydro-power is renewable, it still has environmental effects that need to be mitigated. The other was a hot air balloon candle-holder. My idea was to make a candle-holder out of the metal cans and wire I have in the shape of a hot air balloon, but I would need help cutting and shaping the metal from my mentor. I definitely want to make the first one, but the second one I think I will leave out of my plans until I’ve finished everything else. From seeing the little trinkets in the Cuban tourist shops, I realized I could also easily make with my strange collection of materials was a wind chime, if I have time. But I already have enough to work on.

For the new few sessions, I’m going to focus on my jellyfish to get it done, and begin work on the hydro-power sculpture in my own time. Looking back, I realize that finding a mentor so late into my project has slowed me down a bit. To make up for it, I’m dedicating an extra hour on Wednesdays to working on In-Depth each week.

The center of the solar system…. In-depth #6

Edward de Bono’s Six Thinking Hats

White hat = information

Red hat = feelings and intuition

Black hat = critical thinking

Yellow hat = values and benefits

Green hat = new ideas/alternatives

Blue hat = organizes other hats; moderator

In the last two weeks of in-depth, I’ve had the chance to further develop my two main art pieces: the jellyfish and the space junk mobile. I’ve had a lot of conversations with my mentor exploring different possibilities for each one, and deciding when to come back to a problem later. For example, we were having  a discussion about how to represent the sun (arguable one of the most important parts) in my solar system. The conversation went a little like this:

Me: “So, my biggest problem so far has been trying to figure out what the sun is going to look like. It can’t be the proper size in relation to the other planets, obviously, but I’d like to make it stand out in some way that obviously designates it as ‘The Sun’. “

Ms. Kirkwood: “Yes. Well, we can definitely make the sun a bit larger than the other planets. To give it a round shape, I could use some of my circles and cross them over each other, to give it more depth. I also think it would be good to show some movement for the sun.”

Me: “That sounds good. I definitely think movement is a good thing, because the sun is always burning and giving off solar flares and radiation, right? It would be nice to have a little globe or sphere for the sun, because most of the other planets are 2D. That would set it apart for sure. What were you thinking of with the circles?

Ms. Kirkwood: “I have some old guitar strings that are really nice, they have this bouncy-ness to them that makes them really fun to work with. (Gets them out and arranges them like so) What if we wrapped a shiny clear material, like this cellophane, around it to reflect light?

guitar string sun, courtesy of me

Me: “Oh, yes I really like the guitar strings like that. Especially how the rings that make it look like the skeleton of a globe aren’t entirely lined up, so they make these great little crescents. The cellophane….I’m not sure. I like how it reflects the light, and it’s plastic, so it’s reusing garbage material, but it’s a little bit too green and pink. It doesn’t remind me of the sun that much. I almost feel like we would want something fluffier and lighter, because the sun is full of gas, and it’s always burning and releasing energy. It would be cool if we found a way to make the material be releasing, or expanding. Hmmm…..I’m not sure about the cellophane, but I really love the guitar strings. How can I attach them to make them stay in that shape?

Ms. Kirkwood: “I usually just tape them together using strong crafting tape. It works well because you can easily take it off if you don’t like it or need to make changes, and because it’s easy to put on and holds very well. If you tape it like this, crossing over one way and then the opposite direction, it makes it more difficult for the tape to get pulled apart.

Me: “Oh yeah, because now it is held together in a way that by trying to undo one piece of tape, the other piece will stop it from moving. Cool! It’s just coincidence that the tape is bright yellow, but I really like how that colour contrasts with the more copper-y guitar strings. (puts pieces together with tape) The two overlapping points are at the top and bottom of the sun if you hold it this way. It’s kind of cool, because it looks like two “poles” on the top and bottom of the sun.”

Ms. Kirkwood: “Yes, it does. Do you have any more ideas about the fabric we could use for the sun? If you want plastic, or garbage-y material, I could give you some kind of plastic-y wrapping paper I had…just let me go look for it…(15 minutes and a messy storage room later) Huh, I thought I had something, but I guess not. None of those more napkin-y tissue papers stood out to you?”

Me: “No, not really…. I don’t know, I can’t really think of anything that seems to fit with the mobile.The rest of it is coppery wire, wood and red plastic.

Ms. Kirkwood: “Do you want to come back on it? We can always work on something else, and come back to it with new ideas later.

Me: “Sure…maybe let’s work on the jellyfish for a bit.

(We make our way back to the space where we do most of our work. After about 30 minutes working on the jellyfish, my leg brushes a piece of cellophane and causes it to shift and expand, falling a little more flat).

Me: ” Wait, what if we crumpled up a material and put it inside the sun, instead of overtop of the guitar string fame?

Ms. Kirkwood: “Why don’t you show me?

Me: (crumples the cellophane and holds inside of frame) “It would be cool if I could suspend the material in the center of the frame…but I still don’t really like the cellophane. It just doesn’t seem to go with the rest of the project. (…) Could I use those yellow bags you get from No Frill’s instead? They’re a bit fluffier and match with the yellow tape really well.

Ms. Kirkwood: “Sure! That might work out well, because its always good to make objects kind of relate to each other. Then they look more like they fit together.

After that conversation, we didn’t actually get around to suspending the bag in midair. But I, for one, kind of like the way the bag flip and curls on itself like solar flares are protruding in plastic strips, and the reflective, somewhat luminous nature if plastic. I can see that in this conversation, we had a lot of ideas being tossed around. Since art is pretty subjective, most of our decisions about what to do were based off of emotions and intuition, the red hat, or the resources we had available (the white hat). Blue and black hats occured the least, but we often talked about what looked or felt good (yellow hat) when trying out new ideas. Now, off to Cuba, where I’m sure I’ll see some sun that isn’t made out of plastics and guitar strings!

wow... do those sun spots spell out No Frills, or is it just me?
wow… do those sun spots spell out No Frills, or is it just me?

1st Mentor Meeting: Mission Successful

So, I had my first meeting with my mentor last night. I was a bit worried, because we’d never met before and I wasn’t entirely sure what would transpire that evening. But, “only good things” as I told myself, were about to occur. My mentor is an incredibly kind and generous person. She lives within a 15 minute drive for me, so she’s also quite local. When meeting with her, I brought along my space junk mobile and my milk jug jellyfish. She was super helpful with both of them – she lent me some ribbon that would work well with my jellyfish, a large metal ring to hang my mobile from, and a 2mm hole-punch to attach the ribbons. We agreed that hole-punch would work best, because you can’t sew through plastic, and glue tends to fall apart after a while. My mentor usually presents me with different ways to do things, or different materials to use. She tells me why she thought they could work, and then I tell her what I think would would be best to use, and why. Often, her experience is really valuable helping me decide what to do.

Two new things I did were:

  • Pulling apart copper wire
  • Dyeing cheesecloth navy blue

Cool things I saw:

  • six-ring masks
  • dragonflies (my mentor suggested I could make similar dragonflies with plastic bags instead of fabric – I might look into this)
  • birch bark and paper mache holders.

Next time I go over, I’ll ask to take some photos to upload here on the blog! I’m really looking forwards to recycled art all over again now that I’m working with another artist.

In-Depth Week 5: How to be Interesting

Welcome to In-Depth Week 5!

What’s new: A space junk mobile in-the-making, milk carton jellyfish (dedicated to Jeanie, of course), and… mentor contacts?

So, I’m a little behind for this post because on Saturday I was at the Zero Waste Leadership Clinic! It was a lot of fun, and I got to meet a lot of really cool people. I also hear there’s a clean energy clinic in the works, which I’m excited for because of my research project… But, back to the main subject. I got to meet the amazing Micheal Hall during this clinic, and I used some of the “How to be Interesting” tactics to make the most of the short time we had. The most important thing I took away from talking to him was that, even though this may take a lot of time, the best thing to do is to just go for it, and make stuff. One thing he said that I really connected to was falling in love with the material. He uses plastic sheets, bags and Styrofoam in his photos, and when describing how he loved the dirty, gross texture of the plastic when left out in the rain. After spending five weeks on this project, I can see what he’s talking about. The milky, translucent milk jug quickly becomes a jellyfish. The red and tan wheels from kinetic become the dusty surfaces of mars, the gaseous storms of Jupiter.  More pictures in a week or so. Promise.

A lone picture offering... I'm thinking of making this a mobile!
A lone picture offering…
I’m thinking of making this a mobile!
Courtesy of Me
Close-up on space junk surrounding Earth, courtesy of Me

Did you know that  the space junk problem we have will only get worse as time goes on? The junk currently orbiting our Earth crashes into other space junk and creates tiny, high speed fragments of debris. Contrary to what I would assume, smaller fragments still mean considerable danger to ships; even tiny flecks of paint can cause considerable erosion on the outside of spacecraft. Windshields and windows are especially susceptible to this.

 

Anyhow, this week’s topic of discussion is how to be interesting. Although the people I’ve been contacting about mentorship haven’t been able to find any artists to mentor me, they’ve come up with a few ideas and two mentor contacts I can pursue. We’ve been doing a lot of emailing back and forth, and while I realize that this isn’t a great replacement for talking in person, I think I’ve been able to incorporate some of the tactics Edward De Bono mentions. For instance, during my emails, I explored the idea of wearable recycled art . Port Moody is having a competition for Wearable Arts, and the awards are being given out this February.  I’m keeping my eye out for the cool ideas I’m sure will be portrayed, but I also know that the materials I have are not suited, nor high enough in number, to cover a person’s body. So I don’t think wearable art will be much help. The Zero Waste Leadership Clinic I attended on Saturday also held opportunities to share personal stories, facts and figures to further engage in the conversations we were having. As we discussed the dangers of one-use plastics, one thing that Mr. Hall said at the clinic really stuck with me: ” You could be buying a gelato, and you know those little plastic spoons that come with your ice cream? Well, you drop that on the ground when you’re done, and boom! One thousand years.” What he meant by this was that plastic took 1,000 years to naturally degrade, but the way he brought this fact into the conversation certainly made it more interesting, and more tangible. One instance in which I modified an idea to make it more acceptable to me was when emailing about mentorship. It was suggested I attend the Port Moody Wearable Art Awards, but as it is a little bit expensive, as no one else in my family would like to go, and as I most likely would not be able to talk to the artists (it is a performance and awards ceremony), I decided to check out some of the other options I had, and check back on the pictures and artists when the event was over. This way, I can still see if there are any artists whom I could talk to about mentorship, but I can devote my time and my family’s time to other priorities. In my case, I hope to finish a project around the same time the Wearable Art Awards are going on.

Which leads me to my next dilemna: I need bracelet clasps and chains. Unfortunately, these things are only tossed out when they break, which renders them unusable to me, so I’m going to have to buy them. Because the whole point of this project was to reduce waste, I really don’t want to buy anything. Right now I only need one clasp and a piece of crafting wire, so I’m going to check out Urban Source, which is a store in Vancouver that sells art materials that would have otherwise been thrown out. For example, they take film, leather scrap, cardboard, and lots of other materials that have been discarded by manufacturers. Now, their stock changes all the time, so I’m not sure if I’ll be able to find what I need. If I can’t, then I’ll have to buy things the regular way, either from the dollar store or Micheal’s. However, hopefully when I go over there I’ll be able to find what I need and snoop around about their workshop sessions – you can book instructional workshops, but seeing as it’s just me, I might just see what tips I can get from talking to the people at the store.

 

I’ll probably post again this week/ weekend with pictures of what I’ve been up to. See you next time on In-Depth 2015.

In -Depth Week 3: The Search Continues

So, in my previous post, I stated that I wanted to have a mentor by, well, last Sunday. Today and yesterday,I got emails back from the two people I had contacted about a week an a half ago. Unfortunately,the artist I emailed is in the process of moving houses, and the other person I emailed was part of an organization that may be able to help me find artists. As part of my plan, I went to a local drop-in class about recycled art; however, not only did I find there was no there who could mentor me, I also found that I was the only one who showed up! What a weird experience I had, standing alone in a huge, open art hall making a mason-jar lantern. I’m going to a leadership clinic in February, whee I may have the chance to talk to a recycled artist doing a presentation. So, I’m going to follow up with the emails and keep searching for artists. However, I’m thinking of asking one of my friends if their parents could help me out, because I know someone who dabbles in jewelry.

Because of the above reasons, it’s a little difficult for me to answer our on how to agree, how to disagree, and how to differ. These questions will be answered more in-depth when I’m able to speak with my mentor (or really, any recycled artist). For now, I will answer as much as possible. I cannot say anything of how I have disagreed , agreed or differed with my mentor, but I can speculate that the most challenging part of this process will be to find a balance between my ideas and what is within my ability to do. For example, I have many metal objects that I would like to use in my work, but I currently don’t have the tools or knowledge to shape and work with this material. Thus, I probably will not be agreeing or disagreeing with my mentor about much, but rather trying to intake as much new knowledge as possible. I think my questions would mostly be how-to questions, which, though open-ended fishing questions, are still rather specific. The most important part will be communicating to my mentor exactly what I want to do. For this, I’ll need to have a solidly thought-out idea in my mind, and be very descriptive of what I want the end product to be like. Another important thing to consider is suggestions from my mentor. I will not agree blindly with everything my mentor suggests, but I may ask questions to understand why they are making the suggestion, and better understand what they mean. However, seeing as my mentor will be more experienced and able than I am, I will consider all of my possibilities before coming to a decision with my mentor. This should make it easier to work with my mentor, and certainly easier to communicate effectively. Now I just need to find a mentor!

Below are some pictures of the stuff I’ve gathered over the past two weeks for this project. It’s mostly come from my own house, although there are several materials that the TALONS program allowed me to use from previous years of Kinetic Art. When taking stock of what I had, I put a couple pieces together just to see what it would look like, and came up with a couple of ideas. Maybe I can develop them into full-fledged works of art over the next month.

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The man in the moon. (showerhead piece and misc. plactic circle) I don’t really know what I’m doing here… maybe this can become something about space junk?
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This looks kind of like an owl… if you squint. Medium: Plastic casing, pop can, and face of a lock.
A…vase? made from a wine bottle? And old electric plugs? I think it was mostly just cool to see the translucent nature of the wine bottle.
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This photo came out a lot better than expected, it’s basically just a bunch of lids in a metal container, but because the lids aren’t perfectly centered inside each other, it looks kinda cool.
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The full extent of my haul – I will be using the above materials over the next few months. This stuff will be saved from the landfills!

Intro to In-Depth: Recycled Art

And so In -Depth begins again!

This year I’m pretty excited for what I’m going to do. In fact, it took me a really long time to get this post up because every time I went looking for a picture I got distracted by all of the cool recycled art on the web.

Joe Pogan’s Recycled Art, courtesy of his website gallery (http://joepogan.com/gallery/index.htm)

So, what’s recycled art?

It’s basically taking old stuff, and making art out of it.

This is sometimes known as “Upcycling.”

Upcycle

verb (used with object), upcycled, upcycling.

1. to process (used goods or waste material) so as to produce something that is often better than the original:

ex. “I upcycled a stained tablecloth into curtains.”
- Dictionary.com
I want to do this because,well, who doesn’t want to learn how to make cool stuff? Plus, not only will I be making artwork, I’ll be helping raise awareness about the environment and reducing the waste I produce! I’ve been interested in scrap bits and pieces from a young age, and any of my friends can tell you that I carry around rubber bands, a broken combination lock and taken-apart pens in my pencil case for whenever I get bored. I’m just taken with the idea that scrap junk can become beautiful works of art, which really makes me wonder about how humans place value on objects. If that bird sculpture was given to me as a Christmas present still in the form of a bunch of nails and screws, I wouldn’t consider it as special as the sculpture above. But it’s the same stuff! Isn’t that weird?
The “how” of the project is where it starts to get complicated. I’ll take used materials, and combine them using glue, string or soldering tools (if I get access to them)to make art. I want to make sculpture pieces and one or two pieces of jewellery. There’s tons of awesome stuff being done with really small, simple sculpture.
Matthew Bartik’s flatware Recycled Fork Musicians.
Recycled insect sculpture by Justin Gershenson Gates
 I will obviously collect spare pieces of scrap metal, electronics, cork, old books, cassette and VHS tapes, or scratched/broken CDs and DVDs. I will also ask friends and family to send me all of their used materials, but I’m not sure how much this will bring. Finding a mentor is a big part of meeting these challenges. I’m hoping my mentor will be able to suggest some good places to find materials and, if possible, I will also contact someone who does metalworking to learn about soldering metal sculpture. So my needs are materials, a mentor with experience in sculpture, soldering tools, and an instructor who can teach metal soldering.When I searched for local resources and artists, I had a hard time find recycled art specialists, but I did find a free family drop in class about recycled art at Leigh Square, Port Coquitlam. I’m going to attend the first workshop there on Jan. 15 if all goes well, so I might be able to talk to the supervisor of that class about possible mentors. In the meantime, I’ll continue looking for a mentor.

My timeline goals are to complete a project a month, roughly. I’ll attend the workshop at Leigh Square after school, as it runs every second week starting Jan. 15th until the end of March. Coming up soon is my mentor-finding. I want to have found a mentor by Jan. 18, about a week from now. I’ve found many independent artists who do recycled art, but most of them live quite far away from here – the one Canadian artist I found lived in Ontario! But I still have a lot of searching to do.


 

In-depth posts update every week, so check next week to see if I’ve found a mentor and see some design sketches!